Showing posts with label central purpose in life. Show all posts
Showing posts with label central purpose in life. Show all posts

Mar 3, 2009

Book Review: The Independent Scholar's Handbook

For many individuals, properly defining a central purpose in life is a difficult process of abstraction. Even with that accomplished, there is another hurdle: designing a path that makes that abstract purpose concrete. For those individuals who want to be scholars, either in the humanities or in one of the sciences, but do not want to be professors in a university, Ronald Gross has written The Independent Scholar's Handbook.[1]

"Serious intellectual work can be pursued outside of academe," says the author stating his theme.[2] This book is not a mere call to spend a lifetime in study, no matter how passionate. Gross writes not to dilettantes but to individuals who are eager to learn better methods of research, create new knowledge, and expect to produce something with their studies--a book, a series of lectures, or some other ultimately marketable product.[3]

The front cover, but not the title page, contains this subtitle: "How to turn your interest in any subject into expertise." Each of the ten chapters of the book covers one phase of independent scholarship. In Part One ("Starting Out"), one chapter covers "From 'Messy Beginnings' to Your First Fruits of Research." In Part Two ("The Practice of Independent Scholarship."), chapters cover selection of resources (such as finding specialized libraries and gaining access to data bases), the benefits of working with other scholars, maintaining a high level of scholarly craftsmanship, and seeking financial support. Last, in Part Three ("Independent Scholars in Action"), Gross displays the range of activities in which scholars can make use of their expertise: tutoring, nonacademic teaching, writing in various forms, and "intellectual activism."

"Independent scholars are pioneering in a new area I call 'intellectual activism'," says Gross. "By that," he notes, he means scholars "undertaking activities that are not in themselves scholarship or science. These activities do not [themselves] create new knowledge, but they make existing knowledge more accessible, understandable, useful, or enjoyable to others; . . . they do something which benefits . . . the general culture." Though his abstract description is somewhat unclear, his examples of "intellectual activism" show that he usually means activism for intellectualism, that is, activism encouraging others to live "the life of the mind."[4]

Nevertheless, readers familiar with philosopher Ayn Rand's idea of intellectual activism--intellectuals taking action to spread philosophical principles by applying them to current problems in society--will find plenty of instruction and inspiration in this handbook.[5] At the end of every chapter, Gross offers a case study of an independent scholar in action, often rising from obscure beginnings to public success in one form or another. An example is Betty Friedan, author of The Feminine Mystique, a book that launched a women's movement that brought early progress (by debunking Freudian views of women) and later regress (by advocating governmental controls on employment).[6] Gross very briefly describes numerous other examples throughout the chapters--for instance, Rachel Carson, a scientifically trained author whose book for general readers, Silent Spring was most responsible for starting the modern environmentalist mass movement.[7] Through his many examples of independent scholars, Gross unintentionally gives the serious student of modern history--particularly the intellectual activist trying to gain insights that will make his work more effective--historical examples of the many independent intellectuals who, in decades past, shaped our society today--its movements, its values, and its politics.

Thus there are three potential audiences for The Independent Scholar's Handbook: would-be independent scholars, acting professionally; intellectual activists, acting as advocates of a movement; and individuals integrating the two points, that is, those individuals who have chosen to be in-line activists, which means advocates of intellectual change within their own chosen profession.

Cautions: The author provides a flood of examples and particulars. Objective readers will need their skills in reading at varying levels of intensity because some sections will be much more valuable to some readers than to others. Readers will also need to be wary of the author's "philosophy," which is a mishmash of an implicit benevolent universe principle, genuine intellectual excitement, and vague, conventionally leftist solutions to social problems.[8] Also be aware that this first edition was written before the internet became widely available as a resource. This fact does not detract from the book's main value, which is not the specific resources Gross lists but the timeless methods and virtues required for success.

For the appropriate readers, The Independent Scholar's Handbook can be an informative and inspiring guide.

Burgess Laughlin
Author, The Power and the Glory: The Key Ideas and Crusading Lives of Eight Debaters of Reason vs. Faith

[1] Ronald Gross, The Independent Scholar's Handbook, Reading (Massachusetts), Addison-Wesley Publishing, 1982. This is the first edition; the second, 1993, edition reportedly contains only minor improvements. Both are out of print. Inexpensive used copies are available from Amazon Books. [2] For the "outside of academe" quotation: p. xvi. [3] Ch. 1, "Risk-takers of the Spirit." [4] For the three quotations: p. 148. [5] For Ayn Rand's discussion of intellectual activism: Ayn Rand, "What Can One Do?" in Philosophy: Who Needs It, Ch. 17. See also discussions of intellectual activism on the website of The Ayn Rand Institute and The Ayn Rand Center for Individual Rights, under the Participate/Activism tabs or search http://www.aynrand.org for "intellectual activism." [6] The case study of Betty Friedan appears on pp. 94-99. If my memory of 30 or 40 years ago serves me well, Ayn Rand wrote a book review of The Feminine Mystique, praising some of its insights, but I cannot identify the exact issue and periodical. [7] For mention of Rachel Carson: p. 94. [8] For the skill of choosing an appropriate level of reading depth: Edwin Locke, Study Methods and Motivation: A Practical Guide to Effective Study, at The Ayn Rand Bookstore. I wrote the review featured there.

Sep 29, 2008

What can historians study?

As a long-term student of history, I am fascinated with the many ways one can approach the subject. By "history" here I mean the total of all human events of the past. We can know those events through the historical record: blood-stained flint arrowheads; paintings on cave walls; relief sculpture on marble monuments; "holy scripture" on vellum; the weave of clothing on bodies buried in peat bogs; handwritten philosophical journals; and governmental records stored on sun-baked clay tablets, sheets of papyrus, or computer hard drives. History, as a field of productive work, is an inquiry (historia, in ancient Greek) into events of the past.

WHOLES. First of all, historians can draw inferences from these items to describe whole periods of history: the Roman Empire (27 BCE-c. 400 AD), the Gupta Empire of northern India (c. 320-550), the explosive expansion of Islam (c. 600-800), the Ming Dynasty in eastern China (1368-1644), the Renaissance (c. 1400-1550), and the spread of communism in the 20th Century.

INDIVIDUAL DIMENSIONS. Each type of evidence used by some historians to describe broad periods of the past can itself become an object of long-term study by other historians. For example, one can study the history of stone tools, as a section of the history of technology, itself a division of the history of culture, that is, all the products created by some individuals and passed to other individuals in their own society or in later generations.

Other elements of culture suitable for historical study include languages, customs, institutions, and ideas. In the latter domain, one may study individual ideas--such as the idea of progress, the idea of reform, or the idea of a particular metaphysical hierarchy; or one may study ideas as systems, as in the study of the history of a particular worldview (religion or philosophy). In one way, studying the history of a particular religion, such as Christianity, is narrow because it excludes many other religions; but in another way, in the number of objects subsumed, studying the history of a particular religion is an enormous task: from the past flows a river of ideas, customs, institutions, and the lives of millions of individuals, each with his own particular understanding of the religion.

Time is another dimension that partly defines a historian's object of study. One historian might study a particular subject either at one point in time (the culture of the Americas in 1491) or through a great length of time (the Church in the Middle Ages). Another historian might specialize in generalizations, so to speak. For instance, a historian who is fascinated with societies considered as wholes might compare cultures such as the Indus River Valley culture of c. 2000 BCE and the culture of the Mayans c. 500 CE.

Still other historians can work in the area that underlies history as a field of inquiry: the philosophy of history. These historians would address questions such as: What is history? What are the proper objects of study? What special cognitive problems arise in studying aspects of reality that no longer exist and can be known only by fragments from the past? What ethical problems, if any, arise for historians, knowing that their conclusions may influence views of the past and therefore affect not only contemporary politics but also the inferences of philosophers?

At the other end of the scale of abstractions, some historians, those fascinated with the manner in which particular individuals acted in the circumstances of their time, might turn to writing biographies. Or historians who are fascinated with examining history under a microscope might turn to a particular event (the Islamofascist attack on the USA on September 11, 2001), a particular institution (socialized medicine in Britain), or a particular movement (the movement to abolish slavery in the 19th Century). At this scale of work, the historian can observe particular individuals taking particular actions which had particular observable effects. Carrying this approach further, some historians might study an event while it is happening--as in the seemingly endless NATO "war" in Afghanistan against "terrorists."

In summary, a particular historian may choose for study any element of human action or culture at any particular time or place. His object of study may be ancient or contemporary, small- or large-scale, concrete or abstract, and particular or general in scope. The historian is limited only by his own purpose, the length of his productive life--and the facts of what individuals have actually done, as shown in the historical record.

EXAMPLES. Following are examples of historical studies from my library. (I am not making recommendations, only citing examples.) Together they illustrate the vast range of objects which historians can study.
- The Story of Maps, Lloyd A. Brown: a history of maps from the ancient world to c. 1950.
- The Great Chain of Being, Arthur O. Lovejoy: a history of an invalid but enormously influential idea, a metaphysical hierarchy ranging from God down to the lowest worm.
- The Making of Europe: Conquest, Colonization and Cultural Change, 950-1350, Robert Bartlett: a detailed examination of the extraordinary wellspring of Viking-French "nobles" spreading from their homeland in Normandy to the periphery of Europe, from England (in 1066) to Constantinople.
- Holy Entrepreneurs: Cistercians, Knights, and Economic Exchange in Twelfth-Century Burgundy, Constance Brittain Bouchard: a report about the dynamic this-worldly economic activities of Cistercian monasteries (which were officially devoted to poverty and separation from this world), based on the author's detailed study of monastic records surviving for 800 years.
-Clocks and Culture: 1300-1700, Carlo M. Cipolla: a study that is both narrow (looking at one mechanical invention, the clock) and broad (what the radical differences in design and use of clocks in Ming Dynasty China and Renaissance Europe reveal about the two cultures during the "period of the great divergence" of Eastern and Western culture).
-That Noble Dream: The 'Objectivity Question' and the American Historical Profession, Peter Novick: a study of the struggles over the issue of objectivity--myth or norm?--in the profession of history in the USA from c. 1880-1980.
-Lying About Hitler: History, Holocaust, and the David Irving Trial, Richard J. Evans: a close look--written as an intellectual detective story--at Evans's own research into the Holocaust and at his objective testimony in a British civil trial, a trial in which Nazi-sympathizer David Irving sued an American writer for libel because she said Irving's historical writings were fraudulent (which they were).

To a beginning student of history who is wondering what to study, my suggestion is to follow your passionate interests, held within the context of your highest values, including your central purpose in life. Are you fascinated with the history of Pittsburgh, the evolution of stone tools, or the development of logic? Follow your love.

Burgess Laughlin
Author, The Power and the Glory: The Key Ideas and Crusading Lives of Eight Debaters of Reason vs. Faith

Aug 8, 2008

In-line vs. off-line activism

[For this post, I assume my readers have studied Ayn Rand's most important philosophical work, Introduction to Objectivist Epistemology, especially Chs. 1-5.]

As a preliminary step toward clarifying the differences between in-line and off-line activism, consider five imaginary examples of intellectual activists--individuals taking action in society to disseminate philosophical principles as they apply to current social or political issues.

(1) A physicist, Dr. A, works for a nuclear power-plant management company. He works 8 am to 5 pm, five days per week. In his spare time, in the evenings and on weekends, he writes a long article for a popular magazine. In the article, Dr. A argues for liberation of the nuclear-power industry. In support of his theme, he offers ethical principles (e.g., the moral right to property), political principles (the only function of a proper government is protecting rights from aggression and fraud), and technical knowledge (nuclear power does not cause neighbors to glow in the dark). Dr. A also occasionally meets informally with investors, power-plant managers, and others to convey to them his philosophical and technical views. He hopes to give them the information they need to clamor for liberating the nuclear-power industry. Dr. A is a scientist, not a professional intellectual, that is, his central purpose in life is not in the area of the humanities.[1] Besides being a scientist, he is also an in-line intellectual activist.

He is an activist because he is taking action in society to improve his world. He is an intellectual activist because he is applying philosophical principles to the culture in which he lives. (He is, in some measure perhaps, also a political activist if he takes steps to change his government in particular ways.) He is acting in-line because he is disseminating information that he has gained, directly or indirectly, through his efforts to achieve his central purpose in life, which is, in his particular case, "to facilitate the production of energy through nuclear power," or some similar statement of purpose.

(2) A second physicist, Dr. B, has essentially the same central purpose in life but is now retired from working for an income. She writes a series of articles, pamphlets, weblog posts, and books--some written to the general public and some to her scientific peers--calling for the deregulation of the nuclear-power industry. Capitalizing on the many contacts she made while working, she also occasionally meets with investors, power plant managers, and others to convey her philosophical and technical views, in hopes of giving these powerful individuals the ethical, political, and technical "ammunition" they need to fight for liberating the nuclear-power industry. She too is an in-line intellectual activist. Dr. B differs from Dr. A in that she can work full-time at her activism.

(3) A third physicist, Dr. C, has essentially the same central purpose in life as Drs. A and B, and he works for a nuclear power-plant management company 8 to 5, five days per week. In his spare time on one weekend, Dr. C writes a letter to the editor of the local, small-town newspaper. The subject of the letter is a protest against the local police department wasting time arresting prostitutes and heroin addicts in the town. Dr. C writes the letter in favor or abolishing victimeless-crime laws. He uses moral arguments (e.g., the right to liberty), political arguments (e.g., the proper function of government), and financial arguments (half the police budget goes for victimless crimes, while rapists and robbers run free). In this project, Dr. C is an off-line intellectual/political activist.

(4) Dr. D is a professional historian. Her particular central purpose in life is to "promote understanding of our past." She is a professional intellectual.[2] So far, her career has consisted mostly of publishing her own historical research and teaching in academia. She chooses to spend some of her weekends and evenings preparing philosophical arguments (e.g., about the nature of objectivity) and other arguments to persuade local public school board members to adopt more objective history texts for middle-school students. Dr. D is, in this respect, an in-line intellectual and political activist. If, instead, she chooses to devote some of her evenings and weekends to working with a local, ad hoc group trying to stop a proposed sales tax, then she is, in that respect, an off-line intellectual activist.

(5) Mr. E is a carpenter. His central purpose in life is to use wood--which he loves in all its many forms--for making things that improve life, such as houses, boats, conference tables, and model planes for the children of his friends. He is not a member of a carpenter's union, so he works only on nonunion jobs. On the side, he likes reading about and discussing basic philosophy. He has also invested some time into reading the laws of his city and state as they apply to unions. When he works as a carpenter, he works long hours. Between jobs he writes letters to the editors of newspapers and of magazines for carpenters. In these letters, Mr. E cites fundamental principles, stated in his own words, as support for a free market in labor. In particular, he opposes restrictions on immigration and laws that regulate relations between corporate management and laborers, particularly in the construction business. Mr. E is an in-line intellectual activist.

The preceding five examples illustrate this point: The defining characteristic of an in-line activist is the special relationship between his work (physics, history, or carpentry) and his intellectual activism: The two areas have the same general subject matter, at least in part. An in-line activist is an intellectual/political activist in his field, which is the field of his beloved central purpose in life.

An off-line activist, by contrast, is active in a field outside the field of his central purpose in life. Whether the off-line activist spends only a few minutes or 60 hours per week at his activism is not an issue here. What makes him off-line is the fact that the subject matter of his activism is outside ("off") the field of his beloved central purpose in life.

NONDEFINING CHARACTERISTICS. In defining ideas, the thinker should set aside nonessential characteristics. Examples of nonessential characteristics for in-line activism are: the amount of time the activist invests in his activism; whether the activist is a professional intellectual; whether or to what degree the activist needs to increase his communication skills; and how much (if any) research the activist needs to do for particular activist projects.

(1) In-line activism can be a full-time activity, as in the case of a retired person who maintains the same central purpose in life but perhaps in a different form, one not requiring that he work a regular job. Or in-line activism can be part-time. Likewise, off-line activism can be either full-time or part-time. How much time an activist spends on his activist projects is not an essential (causal, explanatory) characteristic. As in the formation of concepts generally, measurements are omitted in the formation of the idea of in-line activism.

(2) One need not be a professional intellectual in order to engage in intellectual activism, either in-line or off-line, just as one need not be a professional politician in order to engage in political activism, and one need not be a professional scientist in order to advocate that schools teach the scientific method. In the Objectivist movement, as Ayn Rand explains, the "New Intellectuals" are "those who will take the initiative and the responsibility [for applying Objectivism to life]: they will check their own philosophical premises, identify their convictions, integrate their ideas into coherence and consistency, then offer to the country a view of existence to which the wise and honest can repair."[3] The New Intellectuals of the Objectivist movement need not be professional intellectuals.[4]

(3) A need to improve one's skills in objective communication is common to both in-line activists and off-line activists--and even individuals who are not activists at all but who want to succeed in the advanced levels of their careers.[5] So the need to improve one's communication skills is not a characteristic that distinguishes in-line from off-line activists.

(4) Both types of activist may need to do additional research for some of their activist projects, but not for other projects (e.g., those projects that involve only a quick statement of position, backed up by a very simple argument). A need for research and a potential need to substantiate all assertions with citations are not distinguishing characteristics of either in-line or off-line activism.

SUMMARY. In understanding the idea of in-line (versus off-line) activism, it is very important not to define the idea by any characteristic other than the relationship between the activist's field of beloved work and the subject matter of his intellectual/political activism. The amount of time invested in an activity, one's professional status, one's skill in communication, and the amount of research required are all inessential and therefore nondefining characteristics of either form of activism.

The essential defining characteristic of in-line activism is the positive relationship of the activist's area of activism to the field of his central purpose in life. In-line activism means intellectual (or political) activism that is "in-line" with--drawn from, congruent with--the work he has done to fulfill his central purpose in life.

Burgess Laughlin
Author, The Power and the Glory: The Key Ideas and Crusading Lives of Eight Debaters of Reason vs. Faith

[1] For central purpose in life: posts for May 20 and June 5, 2008. [2] For "professional intellectual," see: Ayn Rand, For the New Intellectual, p. 25 (hardback) or 27 (paperback); or see "Intellectuals," The Ayn Rand Lexicon, first excerpt. [3] For a description of the New Intellectuals of the Objectivist movement: Ayn Rand, For the New Intellectual: The Philosophy of Ayn Rand, p. 59 (hardback). [4] For the nature of a movement, see the July 5, 2008 post. [5] For a series of lectures and practical exercises (performed by audience members) on objective communication, suitable for anyone who communicates as the core of his work, but especially for the New Intellectuals: Leonard Peikoff, "Objective Communication," an audio recording of a long series of lectures, available from The Ayn Rand Bookstore.

Aug 1, 2008

What is in-line activism?

The Summer 2008 issue of The Objective Standard carries an article by Raymond C. Niles, "Property Rights and the Crisis of the Electric Grid." According to his profile under the "Contributors" tab on the TOS website:

Mr. Niles manages an investment fund focused on the electric utility and related industries. Prior to initiating his fund, Mr. Niles was a senior electric utility analyst at Citigroup and Schroders. He has appeared on numerous industry and media forums, including the Edison Electric Institute, the NYMEX, the Wall Street Journal, Barron's, CNBC, and ABC News. Mr. Niles holds an MBA from the Stern School of Business at New York University.

Mr. Niles's clearly written and tightly edited article looks at the history of the economics of power generation and transmission. The article calls for a principled change toward a free market ("a liberated electric grid based on property rights and private ownership of the rights-of-way") and away from the crony-statism now controlling this industry. Mr. Niles's article is thus, in part, a project of intellectual and political activism. He is working as an activist from a broad base of philosophical, historical, and technical knowledge that he has accumulated throughout his career.

Mr. Niles has also taken his activism one step further than writing a substantial article in a prestigious journal. He has taken his activism directly to individuals in the electricity-generation industry, individuals who have some economic power and potentially some influential power of ideas with others inside and outside the industry. He writes (reproduced with permission):

I gave a speech based on my article to an industry trade group that represents owners of power plants and electricity traders who do business in California. I wasn't sure how they would react, especially after I told them that the 'deregulation' that they thought they were pursuing wasn't deregulation at all, and actually has made the industry worse. Also, when I told them that people should own rights-of-way underneath and above the city streets and that we should have competitive electric grids, I thought they would think that I had three heads!

Well, to my very pleasant surprise, they reacted with genuine interest in what I had to say. What I took from their reaction is that most people hold socialist/interventionist views only by default. Many people implicitly support a capitalist society but they have not been properly sold on it. When I presented my reasons, they 'got' much of it, to my great surprise.

To make things happen, the first thing required is the idea. For the electric utility industry, I presented that idea in my article, a way forward out of the morass of pseudo-deregulation and ratebase regulation. As far as I know, I am the first one to state it. However, until it gets said, it cannot happen.


Mr. Niles is an in-line activist. He is engaged in an activism that is a direct and natural application of his career and his central purpose in life.

As a student of history, especially of philosophical movements, I wonder about the comparative potency of various forms of philosophical and intellectual activism. As a working hypothesis, I would expect that in-line activism would be, all other factors being equal, more effective in disseminating ideas than off-line activism, that is, actions taken in one field by someone who is an expert in another field. Why would in-line activism be more effective? I can suggest four answers, as elements of a working hypothesis.

1. The in-line activist has the specialized knowledge required to back up his principles with technical and historical details. Principles and concretes together are objective; and, rhetorically, objectivity is far more persuasive than either principles or concretes alone.

2. The in-line activist knows his audience, not only their degree of knowledge, but also which individuals have power--the ability to make changes in one's world despite opposition. The in-line activist can tailor his argument to the appropriate individuals at the appropriate times and places. He can talk in their terms, understand their problems, and share their aspirations

3. The in-line activist is more likely to gain personal access to the most powerful members of his audience as individuals--at professional conferences, at lunch meetings, or at other events.

4. In-line activists can organize, lead, and participate in public discussions and debates more successfully than individuals outside the field could do. An in-line activist is more likely to have already heard the opposition's standard objections, usual fallacies, and conventional rhetorical tricks. The in-line activist is well-armed through experience.

A student of history or contemporary culture can test these elements of the working hypothesis for in-line activism. Such testing might mean (1) studying the records of successful movements of the past (for example, a movement to abolish tariffs) and (2) observing activists engaged in struggles today (for example, in the tiny but growing movement to stop statist monopoly medicine, that is, the politicalization of medical care).

A central topic of this post is the question of which type of activism (in-line or off-line) might be more effective in disseminating fundamental ideas for change in special fields and, cumulatively, in the general culture. However, whether a particular individual should choose one form of activism over another (or any form of activism at all) may properly depend on factors such as other personal interests and purposes besides his central purpose in life.

Based on my observation and speaking generally, I would say rational people act more intensely, persistently, and effectively when they are operating on their "home territory," which is the domain defined by their highest personal as well as philosophical values--including their central purpose in life.

Burgess Laughlin
Author, The Power and the Glory: The Key Ideas and Crusading Lives of Eight Debaters of Reason vs. Faith

Jul 28, 2008

Fiction Writing: The most difficult career?

PROBLEM. In the forty-five years that I've known students of Objectivism, I have met about fifty individuals who said their central purpose in life is to write fiction--either historical, philosophical, or other genre. Most of them soon switched to another central purpose in life. (For my views of CPL, see my posts of May 20 and June 5, 2008.) Some of those who switched are still in art, but in a different medium, such as painting, and are doing well. Why do so few individuals stay with fiction writing?

PARTICULAR REASONS. One reason, which I know from personal experience, is that the novice fiction writer may discover a more suitable central purpose while in the process of learning fiction writing. For example, for twenty years, my central purpose in life has been to tell success stories. In the beginning, I assumed that meant fiction. After studying the basics of fiction writing for two years, and then planning and writing two short practice novels (adventure genre) over a four year period, I realized that the success stories I most wanted to tell are real-life stories, specifically drawn from the history of philosophy. (My second, and last, practice novel was historical, which became a natural segue into history as a field.) So, after switching to historical writing from fiction writing, my basic purpose remained the same, but no longer in the form of fine art.

I know of two young men who started as fiction writers and have switched to visual arts because the visual arts objectively fit their needs and wants better. A few others have equally objective reasons for switching to another career. Beyond these individual explanations, is there something in the nature of fiction writing, itself, that makes it initially more attractive and simultaneously more difficult than other careers?

GENERAL REASONS. First, fiction writing, more than other arts, is a process of creating another world, an imaginary one. A sculptor creates a single object, but a novelist creates a whole world, implicitly and explicitly. Combine that with the fact that the medium is wholly abstract -- relying on visual symbols, that is, words -- and you have a recipe for an art that takes a long time to learn and great labor to enact.

Now add a second ingredient: there is no "career" in fiction writing except what the fiction writer builds for himself. The career of medicine, for example, is intellectually difficult, but the general academic and professional steps in the ladder are clear. There is no comparable ladder in fiction writing.

A third ingredient adds another burden: there are no jobs for fiction writers that allow them to earn an income while learning the art. A would-be attorney can work as a file clerk in a law office, then as a paralegal, while going to law school at night. After officially becoming an attorney he can work for an established law firm before setting up his own practice. Nothing comparable exists for fiction writers.

A fourth ingredient is that fiction writing involves the whole person more than any other career, even more than other arts (with the possible exception of acting). For example, a writer who has a psychological problem with repression may be more crippled in his work than if he were an electronic engineer.

A fifth ingredient is the great time lag between starting a story and seeing it made real. The process of researching, planning, writing and editing a novel--especially one that is historical or philosophical--is too long for artists who want to see quicker results.

Given these difficulties, the small number of persistent fiction writers, and the even smaller number of artistically successful ones, is not a surprise. But for someone who has selected fiction as his central purpose in life, and is objective about his ability to succeed, the long, slow climb to competence might still be very rewarding personally.

Burgess Laughlin
Author, The Power and the Glory: The Key Ideas and Crusading Lives of Eight Debaters of Reason vs. Faith

Jun 5, 2008

The third greatest sacrifice?

I began reading Ayn Rand's writings 47 years ago. From the beginning, almost everything I read sounded right. Only one idea didn't fit: the idea of sacrifice. Ayn Rand defines "sacrifice" as "the surrender of the greater value for the sake of the lesser value."[1]

At the age of 17, I wondered, "Why would anyone give up a greater value for a lesser value?"

As the years rolled by, I saw examples of sacrifice. To stop a war, a pacifist burns himself to death (the greatest sacrifice of objective value, life itself). To please her mother, a young woman marries a man she doesn't love (the second greatest sacrifice, happiness in life). To be more "practical," a 25-year-old man abandons his central purpose in life, telling success stories from history, to become a technical writer (the third greatest sacrifice, a passionately held central purpose in life).

Nearly twenty years ago, I met a man who was active in a local network of supposed students of Objectivism. He had all the accoutrements of success, such as high income, professional prestige, a large house with a grand view, and exotic vacations. And he was unhappy.

I asked him why he was unhappy. "Because," he said, "what I most want in life is to do something creative, like writing novels."

I asked, "Why don't you make that your central purpose in life, and throw yourself into the work full-time?"

He gestured to the walls of his living room, lined with paintings and the best of sound systems, a way of living that a beginning novelist could not afford. He said, "Learning to write novels could take decades of full-time effort. I would have to give up all this."

I was too stunned to respond. Now, with better understanding of the issue, I would reply: "So what?"

A PROBLEM. I have seen this situation repeatedly. It is giving up a passionate pursuit of a central purpose in life, a higher objective value, for the sake of comfort, a lower value. I have finally accepted the fact that people do this, and I have tried to understand why. There are several explanations, different for different individuals.

One explanation, which I infer partly from introspection, is mistaken methodology. This individual starts with a lifestyle--his particular set of ways of living, such as hobbies, kind of housing, dining habits, and form of transportation. Then he tries to fit his central purpose in life into that lifestyle. He cannot make it fit. The result? Instead of adjusting his lifestyle, he abandons his central purpose in life. He abandons "I love" for a set of comforting "I like" choices.

A SOLUTION. I know from personal experience, including 15 lost years, that this method--trying to integrate a central purpose in life into a predetermined lifestyle--is backwards. The proper place to start is with the central purpose, not a preferred lifestyle. Why?

"A central purpose serves to integrate all the other concerns of a man's life. It establishes the hierarchy, the relative importance, of his values, it saves him from pointless inner conflicts, it permits him to enjoy life on a wide scale and to carry that enjoyment into any area open to his mind; whereas a man without a purpose is lost in chaos."[2]

A central purpose is the foundation from which to build a life. By contrast, choosing (or defaulting to) a central purpose life by the standard of a lifestyle is like defining by nonessentials: a reversal of cause and effect. Imagine a young student of architecture in a school of his choice in New England. He likes to swim outdoors. He learns that he can do so, year-round, in the Dominican Republic. He leaves architecture school, moves to the Dominican Republic, and becomes a bookkeeper to earn an income--but swims outdoors every day.

To sacrifice passionate productive purpose for the sake of comfort (or any other lesser objective value) is the third greatest sacrifice. It causes the second greatest sacrifice, unnecessary unhappiness; and it leads to the greatest sacrifice, a wasted life.

Burgess Laughlin
Author, The Power and the Glory: The Key Ideas and Crusading Lives of Eight Debaters of Reason vs. Faith


[1] Ayn Rand, "Sacrifice," Ayn Rand Lexicon, p. 429. [2] Ayn Rand, "Purpose," Ayn Rand Lexicon, p. 398.

May 20, 2008

What is a central purpose in life?


[Jan. 31, 2011. My latest and final version of this post appears in the "What is a central purpose in life?" section of the Appendix to my latest book, The Power and the Glory, described here: reasonversusmysticism.com]

In the first scene of Ayn Rand's novel, The Fountainhead, the protagonist, Howard Roark, stands on the edge of a cliff, preparing to dive into the lake below. As he looks at the world around him, elements of his central purpose in life (CPL) come naturally to mind. He sees granite, to be cut into walls. He sees a tree, to be split into rafters. He sees iron ore, to be formed into girders. In fulfilling his central purpose in life, he will take these elements and build homes and businesses. Howard Roark's CPL is to bring into reality his form-and-function designs of buildings.

Ayn Rand's CPL was the "presentation of an ideal man" in various forms of literary art--a prose-poem, short stories, plays, movie scripts, and novels.[1] At age 50, two-thirds of the way through her life, she fulfilled that purpose to the maximum degree with the publication of Atlas Shrugged. In that novel, the protagonist is John Galt, a complete portrayal of her ideal man as well as the basic elements of "the philosophy that made him possible."[2] At that point she re-examined her CPL. She decided to devote the remainder of her life to defending that ideal by further developing and then speaking and writing about the underlying philosophy, a philosophy of reason.[3] In my view, the essential elements of her CPL--portraying the ideal man--remained the same, and only particular activities changed. She continued to portray the ideal man but, as she had all along, by functioning as an ideal man in terms of the philosophical values and virtues of her own philosophy.

For a third example, consider a particular student of intellectual history. He defines his CPL as telling success stories from history. By doing so, he brings together tasks such as research, outlining, writing, and editing. He moves from project to project, from book to book, or article to article, but his CPL subsumes all of them.

THE NATURE OF A CPL. First, a CPL is a statement of action. It takes this form: "My central purpose in life is to ...," followed by an action word (for example, "design," "portray," "tell," or "write") that names a form of production. What is being produced? Something of high value to the producer and, ideally, to others in society who might wish to buy the product.

Second, a CPL is an abstraction, one that subsumes and integrates the many particular productive tasks in which a man engages to support his ultimate purpose in life, happiness. A simple metaphor for the relationship between a man's ultimate purpose and his CPL is a great tent, which is a life of happiness. Its main (but not only) tent-pole is his CPL. Other high purposes holding up the "tent" might be social relationships and a favorite leisure activity. Howard Roark loves designing and constructing buildings. He loves Dominique Francon and befriends Mike the construction worker. When time permits, he enjoys swimming.

Third, while the need for a CPL is philosophical--applying to everyone, everywhere, at all times in history--a particular person's formulation of his CPL is a personal statement, that is, it is tailored to (1) who he is as an individual, (2) what he wants to do, and (3) the world in which he lives. (A CPL is objective when it is drawn logically from all three facts, though the initial trail leading to its formulation might be a strong, persistent, positive emotional response to certain sets of activities that he later learns to state abstractly.)

Fourth, and ideally, a CPL should provide an income, thus paying one's way through life, at some level. Carpenters, architects, and some fiction writers earn an income from implementing their personal CPLs and selling their products--their labor, designs, or novels. However, for some CPLs, such as writing poetry, there may be too much competition or too little demand to provide a sufficient and steady income (at least during the first decades). In such cases, the passionate valuer might hold an intermittent, part-time, or full-time "day-job" to earn enough money to meet his minimal needs, while devoting as many hours as he can to the work he loves. A poet, for example, might work as a warehouseman because: he can mentally walk away from the job at the end of each workday and then devote his attention to his poems; he can work limited, predictable hours, freeing time for his art; and his warehouse skills are easily transferable elsewhere if he decides to move. On the other hand, a man who loves reading and critiquing poetry, but not writing it, would not need a "day job," but could develop a financially rewarding CPL as a full-time university teacher of poetry.

WHAT A CPL IS NOT. First, a central purpose in life is not primarily a statement of being, but a statement of doing. Of course, for convenience in communicating with others, a CPL might initially be stated most concisely as being a certain kind of producer: an architect (who designs and constructs buildings), a soldier (who destroys his country's enemies), a carpenter (who manipulates wood to fit human needs), or a doctor (who treats illnesses). However, a full statement of a CPL should identify the essential (causal) productive activity: portray, tell, write, construct, and so forth.

Second, a CPL is not merely a career, which is an ever-more demanding progression of jobs (or projects). A physician might progress from general science student, to medical student, to intern, to physician in private practice or a staff position in research or administration. That progression of jobs is a career. Each job, in turn, includes a combination of particular tasks such as diagnosis, treatment, report writing, and leadership. As an abstraction, a CPL subsumes the particulars of career, jobs, and tasks but it is not any one of them. As a broad abstraction, a CPL subsumes a vast number of details in a variety of circumstances and potentially over the span of one's life. In this sense, having a clear, concise, objective CPL is a tool of integration--that is, of finding "the one in the many."

Third, a CPL is not a statement of philosophical values or virtues. "Act rationally," "integrate logically," and "solve 'mysteries' in life" are not proper statements of a CPL, but identifications of what everyone needs to do in order to achieve his CPL and other purposes in life. A CPL is a personal, possibly unique, statement of productive purpose, a purpose that need not be attractive to anyone else.

CRITERIA FOR FORMULATING A CPL. What criteria should a CPL meet if it is properly formulated? First, it must be objective, that is, drawn logically from the facts of who you are, the nature of the productive activity, and the nature of the world in which you live. Second, as an abstraction, it must be broad enough to subsume a variety of circumstances, activities, jobs, and perhaps even more than one career. Third, it must be an active statement that you can expand or shrink as you need from moment to moment. A long-form statement should be specific enough to help you start planning the main steps of your career. A short-form statement of the same CPL will help you recall it quickly and thereby help you "refuel" and keep yourself on track in moments of turmoil, fatigue, or temporary loss. Fourth, it must be ambitious enough to make you "stretch" to fulfill it, but feasible enough to offer a probability of success. (If you do not succeed at your CPL, you will not be happy, though you might still earn second prize, which is the great satisfaction that arises from knowing you did everything you could have done.)[4]

A central purpose in life is not all of life, but it is the core of life.[5]

Burgess Laughlin
Author, The Power and the Glory: The Key Ideas and Crusading Lives of Eight Debaters of Reason vs. Faith

[1] For Ayn Rand's statements of her central purpose in life: The Romantic Manifesto, pp. 161 and 163 (hardback), in Ch. 10, "The Goal of My Writing." Ayn Rand also used the terms "portrayal" and "projection," apparently as synonyms of "presentation." In the title of the chapter she speaks of a "goal," and in the main text she speaks of "purpose," "first cause," "prime mover," "motive," and "ultimate literary goal." For me, here is an unresolved problem: What is the distinction between the ideas named by the words "goal," "value," and "purpose"? Do they all refer to essentially the same thing--something we want that requires action to achieve--but perhaps as seen from different perspectives? Or do they refer to essentially different things? I do not yet have an answer. I welcome one. [2] For the comment about Atlas Shrugged completing her ambitious literary quest, see her biographer's description, from which I have quoted: Jeff Britting, Ayn Rand, pp. 87-88 and 91. (Available from The Ayn Rand Bookstore.) [3] For the change in Rand's CPL: Britting, Ayn Rand, p. 92. [4] For Ayn Rand's distinction between happiness and satisfaction: Mary Ann and Charles Sures, Facets of Ayn Rand, pp. 74-76. (Available from The Ayn Rand Bookstore.) [5] For Ayn Rand's comments on CPL and subjects related to a CPL, see the entries for Purpose, Productivity, Career, Ultimate Value, and Happiness in The Ayn Rand Lexicon. (Available from The Ayn Rand Bookstore.)